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Verse in English from Eighteenth-Century Ireland
Verse in English from Eighteenth-Century Ireland

Our Price:29.00
Authors: Andrew Carpenter
Affiliation: University College Dublin
Publication Year: Softback 1998
Pages: 624
Size: 215 x 135mm

ISBN: 9781859181041


This pioneering anthology introduces many previously neglected eighteenth-century writers to a general readership, and will lead to a re-examination of the entire canon of Irish verse in English.

Offers a completely fresh perspective on everyday life in the eighteenth-century. Collects together a huge range of previously unknown verse. Superbly edited, with introduction and annotated throughout.

Between 1700 and 1800 Dublin was second only to London as a centre for the printing of poetry in English. Many fine poets were active during this period, however because Irish eighteenth-century verse in English has to a great extent escaped the scholar and the anthologist it is hardly known at all.The most innovative aspect of this new anthology is the inclusion of many poetic voices entirely unknown to modern readers. Although the anthology contains the work of well-known figures such as John Toland, Thomas Parnell, Jonathan Swift, Patrick Delany, Laetitia Pilkington and Oliver Goldsmith, there are many verses by lesser known writers and nearly eighty anonymous poems which come from the broadsheets, manuscripts and chapbooks of the time; a quarter of the named poets are women. What emerges is an entirely new perspective on life in eighteenth-century Ireland. We hear the voice of a hard working farmer's wife from county Derry, of a rambling weaver from county Antrim, and that of a woman dying from drink. We learn about whale-fishing in county Donegal, about farming in county Kerry and bull-baiting in Dublin. In fact almost every aspect of life in eighteenth-century Ireland is described vividly, energetically, with humour and feeling in the verse of this anthology.Among the most moving poems are those by Irish-speaking poets who use amhr n or song metre and internal assonance, both borrowed from Irish, in their English verse. Equally interesting is the work of the weaver poets of Ulster who wrote in vigorous and energetic Ulster-Scots. The anthology also includes political poems dating from the reign of James II to the Act of Union, as well as a selection of lesser-known nationalist and Orange songs. Each poem is fully annotated and the book also contains a glossary of terms in Hiberno-English and Ulster Scots.

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