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The Dead
The Dead

Our Price:10.00
Authors: Kevin Barry
Affiliation: National University of Ireland Galway
Publication Year: Softback 2001
Pages: 118
Size: 190 x 135mm

ISBN: 9781859182857


An incisive new series designed to increase critical understanding of 'Irish' film. Ireland into Film invites writers and scholars from the fields of film and literary studies to examine notable adaptations of Irish literary texts.

Lucid and accessible style makes the series appealing to the general readerLiberally illustrated throughout with stills from the film under discussion. Collaboration between Cork University Press and the Film Institute of Ireland.

In a letter to his brother in 1906, James Joyce confessed: 'Sometimes thinking of Ireland it seems to me that I have been unnecessarily harsh . . . I have not been just to its beauty'. One reason for the composition of The Dead in 1907 was to compensate for this injustice and to add a new and quite different conclusion to his collection of short stories, Dubliners. Why Joyce felt compelled to change his view of Ireland, and how his narrative technique evolved to accommodate this change, becomes one of the focal points for this illuminating study. Furthermore, why John Huston felt compelled to adapt The Dead, and how he did so, provides another enlightening context. Although eighty years separate Huston's film from Joyce's text, the presence of Joyce's story can be found earlier in European cinema, in Roberto Rossellini's Voyage in Italy (1953). Kevin Barry here explores the extraordinary relationships between these three works, and the radically different aesthetics of fidelity and infidelity practised by these exemplary artists of the twentieth century.

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